Sir Kenneth MacMillan / Franz Liszt / John Lanchbery
MAYERLING
Ballet in three acts
Ticket types
1 400 Ft - 17 300 Ft
14 ticket type
1 400 Ft
III. Emeleti Oldalülés Bal, III. Emeleti Oldalülés Jobb, III. Emeleti Állóhelyek Bal, III. Emeleti Állóhelyek Jobb
1 800 Ft
III. Emeleti Oldalülés Bal, III. Emeleti Oldalülés Jobb
3 200 Ft
III. Em. Közép B., III. Em. Közép J., III. Em. Középülés
3 950 Ft
I. Emeleti Proszcéneum Páholy Jobb
5 900 Ft
III. Em. Közép B., III. Em. Közép J., III. Em. Középülés
7 500 Ft
I. Emeleti Proszcéneum Páholy Jobb
7 700 Ft
I. Emeleti Páholy 11. Bal, I. Emeleti Páholy 11. Jobb
9 240 Ft
II. Emeleti Páholy 11. Bal, II. Emeleti Páholy 11. Jobb
9 475 Ft
II. Emeleti Páholy 1. Bal, II. Emeleti Páholy 1. Jobb, II. Emeleti Páholy 2. Bal, II. Emeleti Páholy 2. Jobb, II. Emeleti Páholy 3. Bal, II. Emeleti Páholy 3. Jobb, II. Emeleti Páholy 4. Bal, II. Emeleti Páholy 4. Jobb, II. Emeleti Páholy 5. Bal, II. Emeleti Páholy 5. Jobb
Kenneth MacMillan's fourth full-length ballet relates the tragic story of the heir to the Austrian throne and his mistress. The choreographer's treatment of the 1889 double suicide of Crown Prince Rudolf and Mary Vetsera in light of the social, political and personal pressures that beset the two protagonists resulted in an extraordinarily shocking work, one widely considered to be his most outstanding. John Lanchbery selected the music for the ballet from the oeuvre of a Hungarian composer whose world renown led to his creating work for Empress and Queen Elisabeth (Sisi). The role of Rudolf is one of the most challenging in the history of ballet, with the crown prince's psychological and emotional collapse depicted through two exceptionally intense pas de deux.
With Mayerling, MacMillan broke with 19th-century conventions and created a ballet that better matched the harsher realism of our time.